Night Fall

 

Hello,

here is another piece of flash fiction that I have not previously displayed anywhere. So, it is exclusive to the NeoArtists blog! This one was not written in response to another artists work, but simply derives its inspiration from my love of ancient history. As always, all comments welcome.

 

The Sogdian Rock, near Samarkand, 327 BC

 

At one thousand feet he places his foot in a crack that may be just a shadow in the half dark, and tests his faith with weight. He is one of three hundred and three climbers, all soldiers, all volunteers who have stepped up. Their muffled metal is wrapped in wool; and now as silent shadows this human wolf pack climbs the rock face on the blind side. Below him the fires of the siege camp are steady, unmoving in the still night. The sound of a snuffled snore and then a cough reconnect him with the firm ground he left just two hours ago. Above him, the last of Alexander’s trapped enemies. But only one pass leads to the summit where the King sits, where the Queen and her children sleep believing they are safe. Only one heavily guarded path twists up and up through the sheer smooth sides of the Sogdian rock, fortress and safe haven of the ages that has outlasted every attacker it has ever seen. But now our climber reaches up and runs his fingertips over the rock face, searches out the pock marks, grabs tight and pulls his weight up until his feet slot smoothly, silently into another crack. The leather pouch around his neck taps against his chest, and the half heart pendant inside it rattles softly, reminding him to focus. Another search for another hand hold and another pull inches him higher. The next grasp and pull comes mechanically to him now, the rhythm of repetition driving him upwards. Grab and climb and grab and miss. His left foot finds only air and the miss-kick jerks him free. Face grating against the rock he slides straight down until his knee finds a bump which breaks his leg and sends him into clear air. He flies for a moment before gravity re-grabs. Then the bone spear breaks through his skin and the scream comes up but he bites it back. Silent, he must be silent now or they are all dead. So he drops without a sound. Eyes screwed shut he stares at his memories and sees the half heart hanging round her neck. Sees the stone his son threw skipping across the water. Sees the fire. Sees his mother and her mother reaching up for him. Mother and Earth. All at once. All the same. Now he sees Alexander himself and rehears his speeches and feels infused with the rage that brought them here to the heart of Persia. To repay those who attacked them. As if causing pain to others could somehow take his own away. Fighting sounds reach him as the other climbers succeed. Can anyone see me, he thinks? Am I missed? Or am I black on black, lost in the lightless land? Can anyone see me twirling, twirling silently amongst the sky? No, no one can. My job is done. I am coming, my loves. I’m coming. I am fallen.

 

Scott Devon

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Boomerang

Hello,

here is a piece of flash fiction I wrote for the ‘Earth and Sky’ exhibition with Martin Stynes. I am attempting to capture the theme of home, and what it is like to overcome adversity and return to your historical homeland even if it is personally alien to yourself, due to being raised elsewhere from a young age. I wanted to use the alien nature of the sky in the southern hemisphere, how the constellations would be unrecognisable to anyone raised, like me, in the northern hemisphere. All comments welcome.

 

The man stands barefooted and stares up, up at the sky that he has never seen before. In this place, the last land mass beyond which is just the sea and the ice at the end of the world, all the stars are virgins to his vision. The black earth between his toes is made blue by the moonlight, and the old white scars on his dark face become milky ways that stretch as he smiles. Filling his lungs the man breathes out in a long slow plume of air, like a spiritual umbilical chord reaching up to the heavens.  Names for the new star patterns come to him, slowly as he stares, one by one, each waiting for its place in the story. There is a kangaroo, pouch full in the sun. There is a spear, well thrown, well done. There is a man, upright but broken. There is a heart, no longer beating. There is a new born on a boat, leaving. And there in the furthest, furthest corner of the black, almost beyond trace, is a small single star with scars on its face. The man knows now that everything is circles. The sky will spin as the earth turns, and the earth in its turn will come full circle through the seasons. Winter always comes back to Summer in time. He kneels and runs his fingers through his home soil, feels the weight of it, feels the history within it, senses all those who look like him that have lived off it, or been killed for it. Home, he says silently forming the shapes with his fat lips. Standing the man raises his land owner’s flag high and drives it deep into the earth, and in that moment he feels his pain die and leave him like a soul that’s been set free. Here under the new sky, on the spot where he was thrown away, the man finds his way back.

Scott Devon.

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On The Cusp

Hello,

here is the piece from the group show, ‘Through a Child’s Eyes.’

thank you,

.

If I could pick a spot to stand

It would be where the monkey bars meet the ground.

Beside the two children forming a double helix with their spinning ropes.

Just past the point where sticks became swords,

And fire became a slave.

I curl my furless foot around the bottom bar

Knowing I am no longer built to climb.

Will evolution grant me wings when time has flown?

.

I am changed, different from all of your children who came before.

I have no tail to tell them, we are family.

Was that your plan when you made two amoebas

And placed them in the garden called the ocean?

Knowing, hoping they would grow;

And from that life would come some life that you could love.

Was that it? Was the big bang merely the breaking of your heart?

.

We are on the cusp.

Our adolescent eyes open wide to your flaws as we catch you up.

And when our shoulder blades become wings to cut the sky

We’ll share each beat as equals,

You and I.

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Through a Child’s Eyes

The latest NeoArtists group show ‘Through a Child’s Eyes’ considers the view of the world from a child’s perspective. “If you visit an art gallery and view the exhibits from the height of a young child then it creates a completely different outlook,” say the Neoartists, “which may in turn offer insights into the work that an adult may not perceive.” And insights is certainly what this exhibition produces. I feel it would have been very easy for this exhibition to slip into the realm of simple interpretation. It would have been very easy indeed for this to be a show which contains stereotypical images of child-like art, or images or rattles, prams and playgrounds, but the NeoArtists have gone beyond that and lived up to their name by producing new ‘neo’ art. A plethora of ideas have fixed themselves to the walls of the gallery, and the scope covers photography, sculpture, poetry and painting. Dennis Whiteside reminds us that children dream in black and white, Dorothy Ellin’s wax and resin moulds of a denim skirt make us think about the throwaway nature of the young. How everything is a must have until you have it. And Karen Bricknell seems to be catching many eyes with her piece ‘Headshot’, where she has painted a computer game type image of a fatal gunshot to the head. For the Playstation generation the terrible in real life can be the object of envy in a game.

Some might say that this exhibition is not as full as others, but instead of seeing an emptiness I see a broadening of maturity. I feel the NeoArtists group is going through a second change. It has been through a catalyst of growth as its numbers have swelled, and now is going through an expanse of quality. The level of imagination and talent here is greater than ever before. The group is leaving behind its student experimentation, as a new maturity grows up and around the boughs of the NeoArtists family tree. If the last steps they took were as children, then these new strides are those adolescents on the cusp of adulthood. Time will give us the true extent of their talents, and that moment is not too far off now. An original exhibition that is not to be missed. Through a Child’s Eyes runs until the 1st of May in the Market Place Gallery, Bolton.

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Beneath The Surface

‘Beneath The Surface’ is the theme of the new NeoArtists exhibition. This time the artists are given the chance to scratch at the surface and delve deep into a subject that holds a particularly strong meaning to them. To suggest that something has a surface implies that there must be something lurking beneath. And never has the artistic collective interpreted a theme so broadly, or so imaginatively. A visitor is instantly struck by the diversity in imagination, artistic technique and style, and choice of medium; for the works range from sculpture through canvas and onto into poetry. We also see artists, like Maggie Hargreaves and Jay Simpson trying radically new ideas to anything they have shown us before. I feel this is a sign that the NeoArtists are maturing as a group, and blossoming as individuals. They seem more comfortable in public, more at home, and the result is a much more personal show. Somehow they are now less nervous about showing us what they really think, which makes this event much more intimate than any other they have staged before? The exhibition feels like a series of champagne waves, and each one breaks upon the visitor bringing a fresh sense of intrigue with it. But the art is also challenge to all who visit. A chance to dredge our own depths, look beyond, look within, and see what response we can summon up. The gauntlet has been laid down. NeoArtists raise the bar a little higher with this one; I wonder what they’ll do next.

‘Beneath The Surface’ runs until the 13th of March at The Market Place in Bolton.

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